Early Review – Mudlark by Mary Helen Specht (3/5 stars)

Reading Level: Adult
Genre: Science Fiction/Dystopian
Length: 400 pages
Publisher: Ballantine Books
Release Date: July 21, 2026
ASIN: B0FX7WZZQ2
Stand Alone or Series: Stand Alone
Source: eGalley from NetGalley.com
Rating: 3/5 stars

“Jenny Sweet’s marriage is ending—and with it her band and maybe even her fragile relationship with her thirteen-year-old daughter, Neko. A reluctant wife and mother, Jenny plans a new journey of self-discovery after one more gig at Burning Man. But when Neko disappears amid the chaos of the festival, Jenny fears that everything that mattered to her has been lost. As she races against the dark, Jenny finds herself thrown into the past, and into the heart of a gathering storm.

Now twenty-five, Neko is a mudlark: a trained recruit who braves the rival factions and feral survivalists in the ruins of a crumbling, flooded Manhattan for resources that grow scarcer by the day. When she stumbles upon the master of her mother’s long-lost solo album and later hears that someone else is searching for it—someone who could be her mother, missing for over a decade—she embarks on a perilous adventure with a ragtag crew that will take her from treetop societies to decadent raves to the underground bunker where she will, finally, confront her mother’s fate—and her own.”

Series Info/Source: This is a stand alone book. I got a copy of this on ebook from NetGalley.com.

Thoughts: This was okay. The book jumps back and forth between Jenny Sweet (a musician from the near past) and her daughter (Neko). The timeline is fairly fluid here and can be a bit hard to follow. Sometimes we are hearing from Jenny in the far past or in the near past and sometimes we are hearing from Neko in the current timeline or the near past (when she is a teen) or during her childhood. The jumping around in time and between POVs made this a meandering story, that took a lot of patience to read.

In the near past, Jenny is a musician and a reluctant mother. She knows her husband, Max, has been cheating on her but has been struggling to deal with this because her daughter, Neko, adores Max and Jenny doesn’t want to break up the family. Jenny and Max perform a last set with their band at Burning Man; they will be announcing the break up of both their marriage and the band soon. During this performance, Neko goes missing, and what follows will define Max’s, Neko’s, and Jenny’s lives.

In present day Neko is ekeing out a living with her partner, Iggy, and their crew in The Sink (what is left of parts of New York City after it flooded during a historic hurricane) as a mudlark. Neko and crew dive below the watery depths of the Sink to retrieve what others have lost. Then one day Neko retrieves a solo album from her mother, an album she didn’t know existed. She wants to know who requested this album and if it will lead to her mother, who is assumed to have died in the flooding of NYC.

This book is more poetry than story. It is written in a very lyrical and wandering way. The characters spend a lot of time thinking about the world around them in complex imagery. The story is dreamlike and dives into the relationship between daughters and mothers in a world that is a bit broken (both in the past and the present). These characters spend a lot of time in their heads questioning their own motives and whether or not their actions are selfish or necessary.

The post-apocalyptic world presented here is a bit vague. We know New York City flooded, as did some other areas of the Eastern seaboard. However, we don’t have a good idea of how that affected the rest of the world. We get small glimpses, but no broader picture. The story doesn’t have much resolution either; so if you like your stories with a clear ending, I would steer clear of this one.

If you have the patience and like this sort of wandering imagery that is more of a story-as-poetry you might enjoy this. I think I would have enjoyed this more if it hadn’t wandered between timelines so much and had been a bit more concise.

My Summary (3/5): Overall I respect the imagery and idea behind this, however it wasn’t really for me. Things were just too ambiguous here, and the story took too long to get anywhere. The language and descriptions were a bit over the top for me, and we spent too much time in our characters’ heads. If you enjoy a sort of poetic post-apocalyptic book that focuses on mother/daughter relationships this might be for you.